Abbe Museum Free Admission Program to Continue in 2016

Machias Savings Bank Branch Manager Matt Horton presents Abbe Museum President and CEO Cinnamon Catlin-Legutko with a check in support of the Abbe's free admission program.

The Abbe Museum will continue to offer free admission in 2016, thanks to the generosity of Machias Savings Bank. Admission will be free on select days throughout the summer and fall, as well as from November through December.

“For the past 24 years, Machias Savings Bank has been an incredibly generous supporter of the Abbe Museum,” said Abbe President and CEO, Cinnamon Catlin-Legutko. “Thanks to their support, our free admission program during the 2015 winter months made a substantial impact on the Maine community. Not only did our visitor numbers dramatically increase—from approximately 900 in 2014 to 1,100 in 2015—we also received verbal and written comments from guests about how pleased they were to be able to visit the Museum for free during the quieter months.”

As Maine’s first and only Smithsonian Affiliate, the Abbe’s free admission program aligns nicely with the Smithsonian’s goal of being easily accessible to the public, and it helps raise the Abbe’s statewide visibility as the only museum dedicated solely to sharing the story of the Wabanaki Nations. In 2016, the Abbe will be open free to the public on the following dates:

  • Opening day (May 1)
  • Memorial Day (May 30)
  • July 4th 
  • Labor Day (September 5)
  • Indigenous Peoples’ Day (October 10)
  • Winter of 2016 (Thursdays-Saturdays in November and December)

The Abbe anticipates a lot more traffic in 2016 due in part to the opening of their new core exhibit and it being Acadia’s centennial year. Offering free admission on key dates will give visitors something the Museum has never actually done before: free admittance on high profile, popular holidays.

“We at Machias Savings Bank are once again honored to partner with the Abbe Museum to offer free admission to all that the Museum has to offer,” said Branch Manager, Matt Horton. "And especially with the installation of the new core exhibit, People of the First Light, I encourage everyone to take the time and visit.”

The Abbe is currently closed through the end of April 2016 while its new core exhibit is designed and installed in the Museum’s main gallery. The exhibit, People of the First Light, is the first large-scale permanent exhibit of its kind for the Abbe.

People of the First Light Photo Contest

The Abbe Museum is currently in the process of installing our new, permanent exhibit, People of the First Light, and we're in search of some stunning photos in and around Maine to use in specific sections of the exhibit. Do you have any photos of Maine's natural landscapes, animals, or plants? Or of Mount Katahdin, Moosehead Lake, Mount Kineo, Mount Desert Island, Penobscot Bay, Downeast coast, or Aroostook County? If so, please consider submitting them to our People of the First Light Photo Contest, which begins February 24, and ends March 7, 2016, at 11:59 PM Eastern Standard Time (EST).

The contest is open to anyone of any age, including Abbe Museum staff and trustees. Any photos chosen as finalists may be included in our permanent exhibit, People of the First Light, in the following ways: background images, murals, and in digital interactives.

Please only submit landscape photographs in the following two categories.

All photos must be void of people:

  1. Natural Maine: Animals, plants, and landscapes specifically pertaining to the ocean, lakes, and rivers; geological or climatological features. 
  2. Travel: Locales or activities in Maine that convey a sense of place specifically in/around Mount Katahdin, Moosehead Lake, Mount Kineo, Mount Desert Island, Penobscot Bay, the Downeast coast, and Aroostook County.

Cropped photos are eligible in both categories. We do not accept digitally or otherwise enhanced or altered photos. Minor adjustments, including spotting, dodging and burning, sharpening, contrast, and slight color adjustment or the digital equivalents, are acceptable.

Entrants whose photos depict other people’s work (such as sculptures, statues, and other copyrightable works) may need to obtain a release from the rights holder and provide it to the Abbe upon request. When photographing the work of others, it must be as an object in its environment and not a full-frame close-up of another person's creation.

Photos that violate or infringe upon another person's rights, including but not limited to copyright, are not eligible. Photos that contain sexually explicit, nude, obscene, violent or other objectionable or inappropriate content, as determined by the Abbe in its sole discretion, are ineligible for all categories of this contest.

How to enter: 
By submitting an entry, each contestant agrees to the rules of the contest. Please submit high-resolution photographs to Allison Shank at allison@abbemuseum.org. When submitting your photo, please indicate the following information:

  • Name
  • Credit line (how to credit the photo)
  • Information about the photograph: what the photo is of, location, and any other important details
  • Contact information
  • Please submit a separate email for each photograph.

We do not accept photographs submitted through the postal service. We do not accept more than one contestant per e-mail address. Photographs submitted to the contest must be at least 300dpi or greater so that they can be displayed on our website and in our core exhibit, People of the First Light, without being stretched or distorted.

High-quality scans of non-digital photographs are acceptable. Digital photographs should be taken at the highest resolution possible. Photographs must be in a .jpeg, .jpg, or .png format. Files submitted may not be larger than 10 MB. We will not accept original negatives, prints, or slides.

You retain your rights to your photograph; however, by entering the contest, you grant the Abbe Museum a royalty-free, world-wide, perpetual, non-exclusive license to publicly display, distribute, reproduce, and create derivative works of the entries, in whole or in part, in any media now existing or later developed, for any People of the First Light purpose, including, but not limited to, advertising and promotion of the exhibit. Any photograph reproduced will include a photographer credit and possibly a short bio. The Abbe will not be required to pay any additional consideration or seek any additional approval in connection with such uses.

Entry deadline:
The contest begins on February 24, 2016. All entries must be received by 11:59 pm Eastern Time on March 7, 2016.

Judging:
Photo entries will be judged based on creativity, quality, originality, responsiveness to the prompt, and overall impact. Judging will be conducted by the Director of Collections & Interpretation and the Manager of Creative Services. All final photographs selected will be used in some shape or form for the core exhibit, People of the First Light, which will open to the public on May 1, 2016. The finalists will be notified by March 11, 2016, and will appear on our website in spring 2016. The Abbe will notify the finalists via the contact information provided at the time of entry. Please do not contact us about the status of entries or judging.

Conditions of Entry:
All entrants hold the Abbe Museum and their respective regents, directors, trustees, officers, employees, fellows, interns, research associates, and volunteers (the “Indemnified Parties”) harmless from and against all claims of any nature arising in connection with entrant’s participation in the contest and acceptance or use of a prize. The Indemnified Parties are not liable for any costs, damages, injuries, or other claims incurred as a result of entrants’ participation in the contest or winner’s acceptance and usage of a prize.  The Indemnified Parties are not responsible for incomplete or misdirected entries, technical or network malfunctions or failures, or causes beyond their control. Entrants are solely responsible for their entries. Entrants may not submit materials that introduce any software viruses, worms or other programs designed to damage software, hardware or telecommunications equipment or are off-topic, partisan-political, contain advertising, nudity, personal attacks or expletives, or is otherwise abusive, threatening, unlawful, harassing, discriminatory, libelous, obscene, false, sexually explicit, or that infringes on the rights of any third party.

The contest is void where prohibited or restricted by law. The Abbe Museum reserves the right to cancel the contest or modify these rules at its discretion. In the event of a dispute regarding the winners, the Abbe Museum reserves the right to award or not award the prizes in its sole discretion. The Abbe Museum reserves the right to disqualify any entrant whose entry or conduct appears in any way to: inhibit the enjoyment of others; tamper with the competition; violate these rules or other applicable law or regulation; infringe on the rights of third parties, or act in an unsportsmanlike or disruptive manner. Decisions of the Abbe Museum are final and binding.

Read to ME Challenge

TheRead to ME Challenge is a month-long public awareness campaign beginning in February 2016 to promote childhood literacy in Maine.

Looking for a good book for theRead to ME Challenge February 2 through March 2, 2016? There are some amazing Wabanaki authors out there you should check out! Take a journey of friendship between Passamaquoddy birchbark artist and guide Tomah Joseph and future president Franklin Delano Roosevelt in Donald Soctomah's book Remember Me: Tomah Joseph's Gift to Franklin Roosevelt. Cross the sky with Muin through the telling of a very old Mi'kmaw legend inMuin and the Seven Bird Hunter's: A Mi'kmaw Night Sky Story by Lillian Marshall, Murdena Marshall, Prune Harris, and Cheryl Bartlett. Follow Kunu as he tries to make an ash basket for the first time just like the other men on Indian Island inKunu's Basket: a Story From Indian Island by Lee DeCora Francis. From ancient oral traditions to contemporary stories, there is something for everyone!

On Saturday, February 20, 2016, the Abbe is partnering with theJesup Library from 1 - 2 pm for a specialRead to ME program. Do you have personal objects that spark a specific memory? Do you have a stuffed animal, toy, or photograph which reminds you of a time you spent with a friend? Bring that with you to the Jesup Library and join Abbe Museum Educator Jen Heindel as we share some of our own memories before we readRemember Me: Tomah Joesph's Gift to Franklin Roosevelt by Donald Soctomah and Jean Flahive. After the story, we'll make miniature faux-birchbark canoes just like the one Tomah Joseph gave to Franklin Roosevelt!

Here are a few more books by Wabanaki authors:

  • Thanks to the Animals by Sockabasin, Allen J., and Rebekah Raye
  • Muskrat Will Be Swimming by Savageau, Cheryl, and Robert Hynes
  • Weska'qelmut Apje'juanu by Fitch, Sheree, and Bernard Francis
  • A Little Boy Catches a Whale by Perron, Judith Carol, and Naomi Mitcham
  • How the Cougar Came to Be Called the Ghost Cat by Isaac, Michael James, and Dozay Christmas
  • How the Petitcodiac River Became Muddy by Maillet, Marguerite, and Raymond Martin. English Version by Allison Mitcham
  • Tihtiyas Et Jean by Gagnon, Nathalie, Naomi Mitcham, and Donald Soctomah
  • Un Petit Garçon Pêche Une Baleine by Perron, Judith Carol, and Naomi Mitcham
  • Nine Micmac Legends by Nowlan, Alden

Happy reading!

Abbe Museum Staff Rocked #MuseumSelfieDay

January 20th was ‪#‎MuseumSelfieDay‬, and the Abbe staff had way too much fun snapping photos all around the Museum. There happened to be a lot going on that day in and around our main gallery as we prepare for our new core exhibit, People of the First Light, which made our photo opps all the more interesting!

We think we won #MuseumSelfieDay, for sure. At least on Facebook. Hop on over and search for "#MuseumSelfieDay" to see for yourself.





Local Wabanaki Artist Receives National Grant

First Peoples Fund, a nonprofit that supports indigenous artists across the country, recently awarded Jason Brown, Penobscot, a jewelry artist and metalsmith from Bangor, a $5,000 business entrepreneurial grant and fellowship.    

“I’m honored that my artwork and commitment to my community have been recognized by First Peoples Fund. This grant and leadership training will help me expand my work and market, and allow me to continue to give back to my culture and community,” said Jason Brown.   

First Peoples Fund, based in Rapid City, South Dakota, focuses on community and economic development for tribal communities through support for Native artists and recently announced a roster of 27 2016 Native artist-fellows from across the country.

"We are proud to continue to grow our First Peoples Fund family of artist-entrepreneurs,” said Lori Pourier, president. “We believe that when Native artists have support and opportunities to build reliable and consistent incomes through their work, they thrive, their families thrive and whole communities thrive.”

First Peoples Fund is supported in part by The Ford Foundation, The Bush Foundation, Margaret A. Cargill Foundation, Andrew W. Mellon Foundation, Nathan Cummings Foundation, Northwest Area Foundation, HRK Foundation, The Howe Family Foundation, Surdna Foundation, U.S.D.A Rural Business Opportunity Grant, and The Johnson Scholarship Foundation.

Founded in 1995, First Peoples Fund's mission is to honor and support the Collective Spirit® of First Peoples artists and culture bearers. For further information, or to apply for support through one of their programs, please visit www.firstpeoplesfund.org or contact First Peoples Fund at P.O. Box 2977, Rapid City, SD 57709-2977.

Why I Give Back: Maria Biasin

After spending years working as an Abbe Guest Services Associate, Maria Biasin has said it was easy to fall in love with the staff, volunteers, visitors, and the Museum's mission, all of which keep her coming back now as a volunteer in her spare time. She loves meeting with visitors and hearing about what drew them to stop in for a visit, and what they may or may not know about the Wabanaki.

One of Maria's first volunteering tasks was monumental: cataloging the Museum's expansive library book collection.

"I wish more people knew of this enormous collection and took advantage of all the information it contained," she said.

One of Maria's most memorable moments at the Abbe actually came just a few weeks after starting as a member of the shop's staff. One day a gentlemen walked in and searched through the Wabanaki art on display, gathering up many pieces that piqued his interest.

"The other workers and I were giddy by how beneficial that was for the shop, and it made me think about how the Museum relies on big collectors like that to continue its educational outreach, and also continue formulating new and interesting exhibits."

Thank you, Maria, for your support, and for believing in what we do!

You can also become avolunteer or donateto the Abbe Museum. If you have any specific questions or comments, we'd love to hear from you! Contact us at info@abbemuseum.org or 207-288-3519.

Why I Give Back: Katherine Stroud Bucklin

Abbe Museum Trustee and volunteer Katherine Stroud Bucklin grew up in rural Pennsylvania and spent portions of her summers between Northeast Harbor, ME and Watch Hill, RI. Katherine first started volunteering at the Abbe a few years ago as anAbbe Gala Committee member, and also enjoyed helping out with theAbbe Underground events.

"The Abbe staff's naturally energetic spirit and infectious enthusiasm keeps me volunteering," she said. 

One of Katherine's favorite volunteering experiences revolves around an Abbe Underground event, and while she didn't go into much detail about why, she indicated that the events "are a lot of fun!"

Katherine graciously host events and draws upon her social networking ability to act as an Abbe ambassador, helping spread the word about Wabanaki artists, the Wabanaki people and their culture, and championing the mission and work the Museum does.

Thank you, Katherine, for your support, and for believing in what we do!

You can also become avolunteer or donateto the Abbe Museum. If you have any specific questions or comments, we'd love to hear from you! Contact us at info@abbemuseum.org or 207-288-3519.

Abbe Museum Welcomes New Trustees

The Abbe Museum has added four new Trustees to its Board of Directors, bringing the total number of Trustees to 19. The new appointees – Abbe Levin, Margo Lukens, Patti Selig, and Chris Sockalexis – assumed their new roles on August 12, 2015.

“We are excited to welcome our incoming class,” said Abbe Museum President/CEO, Cinnamon Catlin-Legutko. “Our new members bring talents and new perspectives that will complement and strengthen our already impressive Board. We have spent time building a Board that is reflective of our community, our organizational needs, and our mission, and that care and commitment has certainly paid off. It is a pleasure to work alongside the Abbe Trustees as we strengthen the Abbe Museum’s presence locally and statewide.”

Abbe Levin is a cultural development consultant, and has served as the Cultural Tourism Coordinator for the Maine Office of Tourism since 2007. In addition, Levin works with a wide range of organizations and projects to assist with the preservation and promotion of cultural resources. She currently serves on the Maine Development Foundation’s Maine Downtown Center Advisory Council and the Sheepscot Valley Children’s House Board of Directors. Levin lives in Boothbay with her husband, and has two sons.

Margo Lukens is a professor in the University of Maine Department of English, and presently serves as chair of the Department of New Media and director of academic programs in Innovation Engineering. Her research interests include Wabanaki literary and storytelling history, Native American and First Nations plays and playwrights, innovation, and making whiteness visible to white people. Her work has included producing and directing Native American plays on campus and in the region, and generally participating in as much theater as possible.

Patti Selig’s first exposure to the Abbe was in the 1980s as she and her family discovered the Museum while visiting Sieur de Monts. She and her family lived in Ocean City, Maryland for 40 years where her husband owned a large construction company and she worked as a psychologist. She spent 20 years as a faculty member and department chair with the University of Maryland system, and when she retired from her career in higher education in 2005, she and her husband purchased the Cranberry Hill Inn in Southwest Harbor. She has been active as a volunteer for the Abbe for many years, serving on the Gala Committee, the Culinary Arts committee, and working at the front desk as a greeter.

Chris Sockalexis, Penobscot, is the Tribal Historic Preservation Officer for the Penobscot Nation, and has served on the Abbe Museum Native Advisory Council since 2012. He has a BA in Anthropology from the University of Maine with his primary focus being on Maine Archaeology. He is currently conducting research for his Masters of Science degree at the University of Maine Climate Change Institute. Sockalexis is also a flintkapper with knowledge of the ancient art and technique of stone and bone tool production. Sockalexis is also an avid canoe/kayak paddler who loves being out in the Maine woods and on the waterways that his ancestors have traveled for thousands of years. He lives with his wife Jill and her daughter Taylor in Winterport, and is the proud father of Shannon, Willow, and Em.

The Abbe Museum Trustees also include: Ann Cox Halkett (Chair), Richard Cleary (Vice Chair), Katherine Stroud Bucklin (Secretary), Jeff Dalrymple (Treasurer), David Moses Bridges, Joseph F. Cistone, Linda K. Dunn, William Haviland, Jamie Bissonette Lewey, Barbara E. McLeod, Jennifer Neptune, Douglas Sharpe, Curtis Simard, Steve Wessler, Sandra K. Wilcox, and Honorary Trustees Alice Wellman and Darren J. Ranco.

September is #changemakers month at the Abbe

Please come be #changemakers with us! 

As we close out our fiscal year at the end of September, the race is on to hit our annual fund goal of $100,000. The Abbe's September #changemakers campaign is about passionate, ambitious, and proud friends helping us inspire new learning about the Wabanaki Nations with every visit, and that also includes the Abbe Museum staff!

Our staff is stepping up to be loud, creative #changemakers. With your help we've moved the needle closer to our goal, and with gifts of $100, $500, or $1,000 we'll surely hit our mark by the end of the month. If we reach our goal, the Abbe staff is prepared to do some really creative things. Head on over to the Abbe websiteto find out what everyone is prepared to do!

Abbe Museum Awarded $150,000 Grant

The Abbe Museum has been awarded a $150,000 Museums for America grant from the Institute of Museum and Library Services (IMLS). The grant is 1 of 217 awarded to museum projects across the US – totaling more than $25 million – and will fund the design, fabrication, and installation of the Abbe’s new permanent exhibit,  People of the First Light, which will open in the spring of 2016.

“We are beyond excited about this opportunity, especially because of what it means for the Abbe in terms of preparing for the immediate future,” said Abbe President/CEO Cinnamon Catlin-Legutko. “During the course of the past year in planning for our new strategic plan, numerous community conversations occurred and some of those resulted in identifying specific financial sustainability strategies that influence our exhibit planning efforts. The conversations all pointed to the need for a permanent exhibit, and thanks to IMLS, we’ll be able to give our visitors and communities exactly what they asked for!”

Located in the Abbe’s downtown Bar Harbor facility, the exhibit will occupy approximately 2,100 square feet. Its content, artifacts, images, and interactive and participatory elements will be informed by the Abbe’s recently adopted interpretive framework and input from its Native Advisory Council and Native advisors.

People of the First Light will use design and content to bring the visitor into the Wabanaki universe. The cyclical nature of time will be strongly reflected in the design of the exhibit, and time depth will be presented in a non-linear pattern. The exhibit will incorporate the many ways of knowing about Wabanaki history and culture.

“Thanks to this grant, the Abbe will enhance current and future exhibit and programmatic interpretations, expose visitors to multiple voices in presenting information about the Wabanaki people – with the Wabanaki voice as the primary one – and give visitors an understanding of how the colonization of Maine has impacted and continues to impact the Wabanaki people and their culture,” said Julia Clark, director of collections and interpretation.  

While the exhibit is considered permanent (15-20 year cycle), it will be constructed so that topics can be easily updated to reflect changing events, and the evolving conversations with Wabanaki advisors will be a guide if updates are needed. Audiences will find their experience relevant and engaging each time they visi People of the First Light.

The Institute of Museum and Library Services is the primary source of federal support for the nation’s 123,000 libraries and 35,000 museums. Its mission is to inspire libraries and museums to advance innovation, lifelong learning, and cultural and civic engagement. IMLS’s grant making, policy development, and research help libraries and museums deliver valuable services that make it possible for communities and individuals to thrive. To learn more, visi www.imls.gov

2015 Abbe Field School in photos

It was a perfect week for the 24th annual Abbe Museum Field School. Not just because of the weather, but lots of amazing items were uncovered: a variety of pottery, stone and bone tools, food bone remains, and one of the spears found was in immaculate condition.

Participants worked

with Maine State Archaeologist Dr. Arthur Spiess on the Tranquility Farm coastal shell midden site, and conducted excavations, practiced mapping the site, and learned about the analysis of artifacts. Now begins the process of cleaning, cataloging, and preserving the important findings from this year’s dig and making them available for research and education.

Annual Meeting Highlights

The Abbe's 2015 Annual Meeting was held on Wednesday, August 12th and we covered a lot of ground as we reported on fiscal year 2014, as well as our plans for the future. There were demonstrations by four Native artists, a sneak peek at our new strategic plan, and we honored an outgoing Trustee with the highest award bestowed by the Abbe.

Back in July, the Abbe named its 2015 Wabanaki Artist Fellows, recognizing three exceptionally creative individuals with a track record of achievement and the potential for significant artist contributions in the future: Donna Brown, Penobscot; Ganessa Frey, Penobscot; and Emma Soctomah, Passamaquoddy. These fellowships were made possible through support from Dawnland, LLC, the concessioner in Acadia National Park, who was in attendance at the Annual Meeting. All three Fellows gave demonstrations during the Annual Meeting, delighting guests with their art and answering any questions.

Ganessa Frey discussed basketmaking with Abbe supporters Joe and Cathy Gerstner.

Emma Soctomah admitted that artwork is very important to her, and she spends much of her time outside of school making baskets. She's off to the Santa Fe Indian Market this month to try and win some more awards. 

Donna Brown discussed her traditional beadwork with Abbe Trustee Sandy Wilcox.

The fellowships awarded are intended to provide support for travel, lodging, and other costs associated with exhibiting at Indian art markets in Maine and New Mexico. Emma and Ganessa will attend the 2015 Southwestern Association for Indian Art’s Santa Fe Indian Market (SWAIA), and Donna attended the 2015 Native American Festival and Basketmakers Market last month.

Gabriel Frey, Passamaquoddy, also gave a basketmaking demonstration. A utility basketmaker, Gabe uses his family's traditional knowledge and style to create beautifully woven, sturdily built utility baskets that can be used for a variety of purposes.

Gabe Frey (far right) carries on the tradition, high quality, and style of his grandfather who taught him, while incorporating his own individual aesthetic, forms, and decorative weaves. 

The Golden Trowel Award, the highest award bestowed by the Abbe, was presented to Art Spiess for his invaluable contributions in making the Abbe Museum's annual Field school happen. This school has been an integral part of the Abbe’s archaeological work since the 1980s, and is one of the most significant ways we teach about archaeology and engage people in this important way of learning more about Wabanaki history and culture. The success of the field school over the years has been due in large part to the outstanding contributions of archaeologists, anthropologists, historians, and educators from around Maine. And for the past nine years, nobody has been as essential to that success at Art Spiess.

Art received his PhD in Anthropology from Harvard University in 1978, and he began his career at the Maine Historic Preservation Commission that same year. Art has been on the Board of The Maine Archaeological Society for more than 20 years, and he serves as the Editor of Archaeology of Eastern North America for the Eastern States Archaeological Federation.

Art has generously given his time and expertise to the field school, leading this outstanding annual learning experience. He has also been key in helping the Abbe keep our practices and policies around archaeological research and collections up-to-date with current standards and legal requirements. He has guided archaeology in Maine for over four decades of work at the Maine Historic Preservation Commission, and his depth of knowledge has been essential to the success of the field school.

Abbe's Director of Collections & Interpretation presented Art with the Golden Trowel Award.

The night ended on an exciting note: the Abbe's new strategic plan. This plan will guide the next phase of the Museum’s growth and development, from its adoption in 2015, through the next five to seven years. Our mission hasn’t changed, but our vision has a new focus:

The Abbe Museum will reflect and realize the values of decolonization in all of its practices, working with the Wabanaki Nations to share their stories, history, and culture with a broader audience. 

There are three phases to the plan, and phase one will kick-off very ambitiously this fall. The Abbe's President & CEO, Cinnamon Catlin-Legutko, gave a sneak peek of each goal, which will include a permanent exhibit, new and improved web presence, expansion of our dialogue-based programming, development of an archaeology advisory committee, an online collections database, and producing the Abbe Museum Indian Market. An official plan will be rolled out very soon!

A very big thank you to all those who came to the Museum on Wednesday to celebrate with us! We can't wait to see what happens next!

Meet a Wabanaki Artist Fellow: Emma Soctomah

Emma Soctomah is 11 years old and a member of the Passamaquoddy Tribe living at Indian Township. She is an Honor Roll student who skipped the 4th grade, and will be in the 7th grade this fall.

Artwork is very important to her, and she spends much of her time outside of school making baskets. She has attended the Santa Fe Indian Market twice and has returned with top awards each time.

"My inspiration would definitely be my Gram, Molly Neptune Parker. She is always working on baskets and stopping to help me or my cousins. I am very thankful to have my Gram because she always helps me when I need it. She also makes very beautiful baskets. I am my brother George Neptune's apprentice, so I go to markets with him. He helps me work as hard as I can, but sometimes too hard, but that's okay. He just wants me to do as good as I can."

Here she is (in the pony tail), teaching Franklin Delano Roosevelt's great grandchildren how to weave a basket. Roosevelt was good friends with Tomah Joseph, who was from Indian Township, and a family relation to Emma and George.

As a Wabanaki Artist Fellow, Emma is off to the Santa Fe Indian Market this month to see what other awards she can win. But, it's not just about winning awards; making baskets is about keeping a tradition alive and well.

"I want to be sure that basketmaking keeps going so that we don't lose the tradition. At one point we started losing the tradition but my Gram started teaching more and more people. I want to be just like her and teach people to make baskets and keep it going. I will teach all of my children that I have in the future."

The Wabanaki Artist Fellowships were made possible through support from Dawnland, LLC, the concessioner in Acadia National Park.

2015 Abbe Field School

The 2015 Abbe Field School kicked off on Sunday, August 2, offering a first-hand experience in an archaeological dig. This year's dig is excavating the Tranquility Farm Site, first explored by the Abbe Museum in the 1930s, and again during a series of field school excavations in the 1990s.

This year's excavations will build on previous exciting discoveries from the farm's site, which include a house floor and hearth feature with a radiocarbon date of 1240 ± 70 BP; the identification of burned plant remains from the hearth including raspberry, chenopodium, smartweed, wild rye and dewberry; and an assemblage of dentate-stamped pottery assigned to the Middle Ceramic Period, 2,100 - 800 years ago.

Fieldwork is complemented by lab sessions and lectures that give participants a broad understanding of archaeology and Maine's Native American heritage.

Dave Halliwell and Tim Spahr checking their paperwork.

Field School participants, Doug Sharpe and Anju Roy, examine their screen.

Abbe Museum Educator Jen Heindel uncovered some impressive pot shards on her first day!

Some participants get more into their work than others. Mary Ellen Sharp is learning what happens when you scratch your face while digging. She beats out Team Supervisor Kate Pontbriand (far left), who was our dirtiest face winner last year.

Michele Kirchner found a gem of a spear point on Day 2.

Tess Lichtmam consults with field school super volunteer Dee Lustusky on what she is uncovering.

Kate Pontbriand, field supervisor-in-training, consults with Art Spiess about the stratigraphy in the pit she is overseeing.

Kate Pontbriand shared her various archaeological field experiences with participants on Day 3. 

Birchbark Wikuwam Demo with David Moses Bridges

David Moses Bridges, Passamaquoddy, has spent the past three days out at Sieur de Monts in Acadia National Park reconstructing a traditional wikuwam. David is an award winning birchbark artist who has received national recognition for his work. From splitting spruce root to collecting birchbark, David has spent the past few days demonstrating his craft to more than 750 visitors, sharing stories of his childhood and career as an artist, and answering questions about this labor intensive process.

This program is part of the Cultural Connections in the Park series, which

happen throughout the summer

in and around Acadia National Park. All of these programs are sponsored by Dawnland, LLC, are offered in partnership with Acadia National Park, and are free and open to the public.