Wabanaki Artists from Maine Win Big at Heard Museum Guild Indian Fair & Market

Geo Neptune's first place and Best of Class basket.

Geo Neptune, Passamaquoddy, won first place and Best in Class in Division A baskets (natural fibers and cultural forms) and Sarah Sockbeson, Penobscot, won second place in the same division at the 60th annual Heard Museum Guild Indian Fair & Market on March 3-4, 2018. First-time attendee Jennifer Pictou, Micmac, won Honorable Mention in Division X (personal attire). 

“This was my first experience at the Market and I was so nervous,” said Pictou. “All I really wanted was to make a good showing for my ancestors and let them know I am keeping our art forms alive. I can’t begin to tell you how surprised and pleased I was to win a ribbon for my beadwork. I’m truly humbled at the outcome and am grateful for the opportunity to show what a contemporary Mi’kmaq bead artist can do in a forum where there are so many fantastic and accomplished bead workers from many tribal nations.”

Jennifer Pictou's Honorable Mention winning clutch. 

Pictou lives for the flash-in-the-moment art, and she likes to create art that makes people think. At the same time, her art is also rooted in deep traditional ways like storytelling and she takes inspiration from her ancestors’ visual work and combines elements from other eras in both Native and non-Native imagery. She celebrates her ancestral voices by using traditional tribal forms and creating something new.

Neptune is a Master Basketmaker, a Drag Queen, an activist, and an educator, and a 2017 Abbe Museum Fellow. As a two-spirit—an Indigenous cultural gender role that is a sacred blend of both male and female—they have begun using their art as a way to start a dialogue regarding gender identity and expression, sexuality and sexual orientation, and colonization as a way to combine their activism and art. Their winning basket, Apikcilu Binds the Sun, is their first Best of Class ribbon at the Heard Museum Guild Indian Fair & Market. 

Sarah Sockbeson's second place basket.

In 2004, Sockbeson learned the history, techniques, and art that has become modern Native basketry. Today, she harvests and prepares all her own material from scratch. Making baskets requires a great deal of gathering and Sockbeson does all the prep work herself since she believes the selection process is an art unto itself. After she selects a brown ash tree, it is cut, the bark is then pounded continuously, split, gauged (cut), dyed, and woven. Her goal is to embrace the modern world, combine natural elements with bright innovative colors and original designs to create a fresh approach to a timeless art form. 

Other Wabanaki artists invited to attend were Abbe Museum Trustee Jennifer Neptune, Penobscot, Gal Frey, Passamaquoddy, 2017 Abbe Museum Fellow Jeremy Frey, Passamaquoddy, and Molly Neptune Parker, Passamaquoddy. A complete list of artists can be found at http://heard.org/fair/the-fair/artists. 

The Heard Museum Guild Indian Fair & Market draws nearly 15,000 visitors and more than 600 of the nation’s most outstanding and successful Native artists. Abbe Museum Indian Market Producer Dawn Spears, Narragansett/Choctaw, attended the Market to meet with artists about the Abbe Museum Indian Market coming up May 18-20, 2018, in downtown Bar Harbor. For more information, visit www.abbemuseum.org/indianmarket.  

Wabanaki Artists Win Top Ribbons at Santa Fe Indian Market

Three Wabanaki artists from Maine won a total of four ribbons at the Santa Fe Indian Market in New Mexico on August 18, 2017. For more than six years, Wabanaki artists have won top spots at the prestigious market.  

Sarah Sockbeson, Penobscot, took first in Division B: Non-Southwest Basketry in the contemporary category. 2017 Abbe Museum Fellow Geo Neptune, Passamaquoddy, placed second in the same division. 

Gabriel Frey, Passamaquoddy, won first and honorable mention in Division B: Non-Southwest Basketry in the twined/wicker category. This was the second time in attendance for Frey, and he added to his honorable mention ribbon from last year. 

“I feel so honored and humbled by the reception my work got out west,” Frey said. “It's a pretty incredible experience, and I’m so fortunate to have been able to be there.” 

Abbe Museum President and CEO Cinnamon Catlin-Legutko and Abbe Museum Indian Market Producer Dawn Spears, Narragansett/Choctaw, attended the Market to meet with artists about the Abbe Museum Indian Market coming up in May 2018.

“Artists were enthusiastic about our market plans for Bar Harbor,” Catlin-Legutko said. “We were excited to share that applications are now available for the juried process and the deadline is September 15, 2017.”

For the past 96 years, Santa Fe Indian Market has been bringing together the most talented Native American artists from around the US. As the largest Native arts fair in the world, the market spans an entire plaza and surrounding streets and consists of a myriad of events — galas, art openings, music and experiences, fashion shows, and the much anticipated juried art show. Of the more than 1,000 artists who participated this year, seven were Wabanaki artists from the state of Maine.

Other Wabanaki artists accepted to attend the market included 2017 Abbe Museum Fellows Jeremy Frey, Passamaquoddy and Donna Brown, Penobscot, as well as Jason Brown, Penobscot, and Ganessa Frey, Penobscot.

The inaugural Abbe Museum Indian Market will be held May 18-20, 2018 in downtown Bar Harbor. More details on the Market can be found at www.abbemuseum.org/indianmarket. 
 

2017 Abbe Museum Fellowship Winners Announced

The Abbe Museum is excited to announce the 2017 Wabanaki Artist Fellows: Donna Brown, Penobscot, Jeremy Frey, Passamaquoddy, and Geo Neptune, Passamaquoddy. These exceptionally creative artists – who through color, language, form, and sound – interpret the past, understand the present, and envision the future for Wabanaki people across the state of Maine. These fellowships are made possible through support from Dawnland, LLC.

“In a time when many sources of direct funding for artists has been reduced or eliminated entirely, the Abbe is proud to provide this kind of grant support for Wabanaki artists to promote and further develop their incredible talents,” said Abbe Museum President and CEO, Cinnamon Catlin-Legutko. 

All three 2017 Fellows have repeatedly taken top prizes out west; however, traveling long distances to attend the Indian Arts marketplace is often a hardship that prevents more artists from entering. The Fellowships are intended to provide support for travel, lodging, and other costs associated with exhibiting at Indian art markets in Maine and New Mexico. Brown and Frey will attend the 2017 Southwestern Association for Indian Arts Santa Fe Indian Market (SWAIA) in August, and Neptune will attend several of the local markets in addition to SWAIA.

From left to right: Jeremy Frey, Geo Neptune (photo by Rogier van Bakel, www.eagereyephoto.com, and Donna Brown.

Brown, co-owner of Bangor-based jewelry studio Decontie & Brown, handcrafts jewelry and traditional beadwork made from various metals, semi-precious gemstones, and glass beads.

“The beauty of nature and my culture inspires me on a daily basis. We are fortunate to be from such beautiful territory and I always try to reflect that gratitude in my work. I also gain inspiration from our elders and ancestors. As I learn more about how they adapted to available technology and methods of creating art, it encourages me to try new techniques while complementing modern styles with traditional artwork,” she said. 

Frey, who comes from a long line of Native weavers, specializes in ash fancy baskets, a traditional form of Wabanaki weaving. His work has been featured at the Smithsonian, Museum of Art and Design in New York City, and in many other prominent museums around the country.

“Basketry is an art form that I can relate to in many ways. It is a part of my heritage, an art form that connects me to my relatives both living and passed. For me, to weave is a way of honoring my ancestors. However, it is also a way to honor future generation both through my teachings and though my personal carrying on of the art form. My work is always evolving; I try to create a newer and more elaborate version of my work each time I weave,” he said. 

Neptune has been making baskets since they were four years old and was awarded the title of Master Basketmaker at the age of twenty by the Maine Indian Basketmakers Alliance, making them the youngest person to ever receive the title.

“I practice my art in my home community of Indian Township. As a Two-Spirit, it is my cultural responsibility to preserve traditions and pass them on to the next generation, which I have focused heavily on in the past and hope to be able to do so again, making traditional art more accessible for all Wabanaki youth,” they said.