Waponahki Student Art Show Alumna

Do you ever wonder if the artists featured in our Waponahki Student Art Show keep creating art once they leave the Maine Indian Education schools?

Christiana Becker, Penobscot, is a student at the University of Maine and has been using her art as a medium through which she displays and shares her culture. When she was in the eighth grade, she participated in the Abbe Museum's annual Waponahki Student Art Show with the following submission.

Hidden Warrior Spirit

Christiana R. Becker, Penobscot
Grade 8
Indian Island School

"I've always like to read fantasy books or books with swords. I like it when there is a woman who is a hero or warrior. So I drew a woman who wanted to be a warrior. She goes to one of her favorite spots to ask for guidance from her ancestors. She then sees a reflection of herself and finds she does have the spirit of a warrior. It's hidden inside her."

Fast forward to 2016 where several of Christiana’s original pieces were recently featured in the University of Maine's Senior Art Exhibit “Ghosts of Carnegie Hall." Christiana hopes observers take from her art the importance of “giving back to the Earth, being grateful, and making sure that your descendants and your people will also benefit from your actions.”

Read more about Christiana's success in a recent article posted by the Maine Journal.

Abbe Museum and Dawnland, LLC Announce 2016 Fellowship Winners

The 2016 Wabanaki Artist Fellows, Gabriel Frey, Theresa Secord, and Jason Brown, all gave artist demonstrations at the Abbe Museum's Annual Meeting on June 3, 2016. 

The Abbe Museum is honored to announce the 2016 Wabanaki Artist Fellows, recognizing three exceptionally creative individuals with a track record of achievement and significant contributions to the arts: Jason K. Brown, Penobscot, Gabriel Frey, Passamaquoddy, and Theresa Secord, Penobscot. These fellowships are made possible through support from Dawnland, LLC, the concessioner in Acadia National Park.

The fellowships are intended to provide support for travel, lodging, and other costs associated with exhibiting at Indian art markets in Maine and New Mexico. Brown and Secord will attend the 2016 Southwestern Association for Indian Arts Santa Fe Indian Market (SWAIA) in August, and Frey will attend one of the local markets.

“It is an honor to support talented Wabanaki artists and we look forward to hearing about their success and supporting them through fellowships, our Native American Festival and Basketmakers Market on July 9, 2016, and through our museum shop,” said Cinnamon Catlin-Legutko, president and CEO of the Abbe Museum. 

Brown, owner of Bangor-based jewelry studio Decontie & Brown, handcrafts jewelry and traditional beadwork made from various metals and semi-precious gemstones. “My work is motivated by my desire to bring to life the designs created by my imagination,” Brown said. “I find inspiration in nature, and in the designs of my Penobscot culture. Historically, the Wabanaki people hired local metalsmiths to create adornments for them. I feel that as a contemporary Wabanaki jeweler, I am breaking new ground as a metalsmith and jeweler.”

Frey, a Passamaquoddy brown ash basketmaker, specializes in utility baskets such as pack baskets, market baskets, and purses. “I weave each basket solely with brown ash and handcraft leather straps for each basket,” Frey said. “My artistic process includes locating and harvesting basket quality brown ash trees from the woods, processing brown ash logs, and weaving brown ash materials into basket forms. I carve the hoops, rims, handle, and wooden pins to fasten leather straps. The majority of my tools, such as basket molds, gauges, and my shave horse, are adaptations of traditional designs. Maintaining the traditional knowledge of Wabanaki basketmakers is an important aspect of my artistic process.”

Over the past ten years, Secord has won awards for her basketry, including several first places at Santa Fe Indian Market, the Heard Museum Guild Indian Fair and Market, and the Eiteljorg Indian Market. She is also the first U.S. citizen to receive the Prize for Creativity in Rural Life by the Women’s World Summit Foundation at the United Nations in Geneva, Switzerland, for helping basket makers rise out of poverty. “My art journey is currently focused on the use of alternative, natural materials to supplement ash, due to the Emerald Ash Borer beetle,” Secord said. “I’ve been dedicated to the preservation/protection of the sacred ash trees for 23 years, and helped pioneer the use of cedar bark overlay on ash in Maine Indian basketry a few years ago.”

About Dawnland, LLC
Dawnland, LLC operates the Jordan Pond House restaurant, including the traditional tea and popovers on the lawn overlooking Jordan Pond and the Bubbles, and retail services at Jordan Pond House, Cadillac Mountain, and Thunder Hole. Dawnland's parent company, Ortega National Parks, LLC, has more than 45 years of hospitality experience and over 16 years' experience operating concessions in the National Park Service, including at Bandelier National Monument, White Sands, Muir Woods, Carlsbad Caverns, Death Valley and Gateway National Recreation Area.

Wabanaki Placenames Tour with George Neptune, Passamaquoddy

Join Museum Educator George Neptune on Friday, June 24th, from 10-11:30 am for a tour examining the history of Wabanaki People at Moneskatik. This walking tour of Bar Harbor will visit places that are significant to Wabanaki history and culture, and will include information on local Wabanaki placenames, traditional songs, and creation stories. Traditional knowledge and shared history combine to create a tour experience that is engaging for audiences of all ages.

Cost is $10 for members, $20 for non-members. Children under 10 are free. Not a member?

Sign up here. Please contact the Abbe at 207-288-3519 to reserve your spot today!

Please note: this is a walking tour around Bar Harbor, so comfortable shoes and cool attire are recommended. There will be at least two opportunities along the way to sit and rest for a few moments.

May is Member Appreciation Month at the Abbe!

This May, we celebrate your support as a member with month-long perks when you present your current membership card.

  • 15-25% discount on Museum Shop purchases May 9th - 13th (restrictions apply)
  • Receive a $10 discount on all gift membership purchases
  • Visit either of our locations (downtown Bar Harbor or Sieur de Monts in Acadia National Park) for an exciting opportunity to enter a members-only drawing for two tickets to the Abbe Backyard Bash on September 10, 2016
  • Use the hashtag #AbbeMember on Facebook, Instagram, and Twitter for a chance to win a Wabanaki made basket from our gift shop
  • Relax in the members-only lounge and enjoy free WiFi and light refreshments
  • Bring along friends and family to enjoy reduced Abbe admission tickets: $3 for adults and $2 for children (max of four tickets total for the entire month)
  • Enjoy a member appreciation Wabanaki Placenames Tour on Friday, May 20th at 2pm. This walking tour of Bar Harbor will visit places that are significant to Wabanaki history and culture, and will include information on local Wabanaki placenames, traditional songs, and creation stories.

Not a member? Sign up or renew online today!

Your generous support enables the Museum to present outstanding exhibitions, preserve our permanent collections, and provide enriching programs for our community – we love our members!

Wabanaki Artists from Maine Take Top Spots at Heard Museum Guild Indian Fair & Market

Sarah Sockbeson, Penobscot, won Best of Division in Traditional Baskets and Best of Class in Baskets at the 58th annual Heard Museum Guild Indian Fair & Market, which draws nearly 15,000 visitors and more than 600 of the nation’s most outstanding and successful American Indian artists. George Neptune, Passamaquoddy, won first place in Non-Traditional Basketry and Emma Soctomah, Passamaquoddy, won Best in Classification in Junior Division-Baskets.

“It’s an incredibly exciting time to be a Wabanaki artist,” said Neptune, an educator at the Abbe Museum. “For several years now, we've been traveling west to the biggest Indian art markets in the world and claiming top prizes in the basketry divisions at every market. This year, I won my first blue ribbon at the Heard Museum and I was beyond excited to have won with a piece that is so representative of my style as an artist. I hope it will inspire other Wabanaki people, especially youth, to take pride in our culture and practice our traditions—because when you do, beautiful things happen.”

Sockbeson apprenticed with Jennifer Neptune, Penobscot, in 2004 and learned the history, techniques, and art that has become modern Native basketry. Soon thereafter, museums and collectors across the country began to recognize her incredible talent. Her unique style incorporates many different elements of traditional Wabanaki technique and she combines that with innovative colors to create a fresh, new approach to a timeless and beautiful art form.

Neptune has been making baskets since he was four years old. At the age of seven, he wove his first basket by himself and has continued weaving through the years, fine-tuning his skills and attention to detail. His baskets now take on a sculptural element that is unique to his style, often featuring woven flowers, the signature of his family’s work. Twigs, woven birds, and other creatures are also used to create baskets that are truly one of a kind. At twenty years old, he was awarded the title of Master Basketmaker by the Maine Indian Basketmakers Alliance, making him the youngest person to ever receive the title.

“It made me feel really good to win Best of Classification, and it made me feel like I can do a lot better and go further with my basket career,” said 12-year-old Soctomah. “My friends were really surprised how far you can go with making baskets, and where you can go. They all congratulated me when I got home. I'm really excited to go to Santa Fe Indian Market this summer and hopefully back to the Heard next year.”

Soctomah is one of the youngest basketmakers in the Wabanaki tribes and began weaving with her brother, George Neptune, at five years old. Now her brother's formal apprentice, Soctomah has already received national recognition for her work. At nine years old, she was one of the 2013 recipients of the SWAIA Youth Fellowship and was featured in Native Peoples Magazine. In 2015, Soctomah was one of the first artists to receive an Abbe Museum Wabanaki Artist Fellowship.

Other Wabanaki artists invited to attend the fair were Abbe Museum Trustees Jennifer Neptune, Penobscot and David Moses Bridges, Passamaquoddy, Molly Neptune Parker, Passamaquoddy, Jeremy Frey, Passamaquoddy, Gal Tomah, Passamaquoddy, and Theresa Secord, Penobscot. A complete list of winners can be found at http://heard.org/event/fair-2016/.

Abbe Museum Free Admission Program to Continue in 2016

Machias Savings Bank Branch Manager Matt Horton presents Abbe Museum President and CEO Cinnamon Catlin-Legutko with a check in support of the Abbe's free admission program.

The Abbe Museum will continue to offer free admission in 2016, thanks to the generosity of Machias Savings Bank. Admission will be free on select days throughout the summer and fall, as well as from November through December.

“For the past 24 years, Machias Savings Bank has been an incredibly generous supporter of the Abbe Museum,” said Abbe President and CEO, Cinnamon Catlin-Legutko. “Thanks to their support, our free admission program during the 2015 winter months made a substantial impact on the Maine community. Not only did our visitor numbers dramatically increase—from approximately 900 in 2014 to 1,100 in 2015—we also received verbal and written comments from guests about how pleased they were to be able to visit the Museum for free during the quieter months.”

As Maine’s first and only Smithsonian Affiliate, the Abbe’s free admission program aligns nicely with the Smithsonian’s goal of being easily accessible to the public, and it helps raise the Abbe’s statewide visibility as the only museum dedicated solely to sharing the story of the Wabanaki Nations. In 2016, the Abbe will be open free to the public on the following dates:

  • Opening day (May 1)
  • Memorial Day (May 30)
  • July 4th 
  • Labor Day (September 5)
  • Indigenous Peoples’ Day (October 10)
  • Winter of 2016 (Thursdays-Saturdays in November and December)

The Abbe anticipates a lot more traffic in 2016 due in part to the opening of their new core exhibit and it being Acadia’s centennial year. Offering free admission on key dates will give visitors something the Museum has never actually done before: free admittance on high profile, popular holidays.

“We at Machias Savings Bank are once again honored to partner with the Abbe Museum to offer free admission to all that the Museum has to offer,” said Branch Manager, Matt Horton. "And especially with the installation of the new core exhibit, People of the First Light, I encourage everyone to take the time and visit.”

The Abbe is currently closed through the end of April 2016 while its new core exhibit is designed and installed in the Museum’s main gallery. The exhibit, People of the First Light, is the first large-scale permanent exhibit of its kind for the Abbe.

Abbe Museum and Dawnland, LLC Announce 2016 Fellowship Program

The Abbe Museum and Dawnland, LLC are pleased to announce the second annual Fellowship program, designed to help Wabanaki artists promote their work within the greater artistic communities. Three fellowships will be awarded to provide support for travel, lodging, and other costs associated with exhibiting at Indian art markets in Maine and New Mexico. The submission deadline is midnight on April 15, 2016.

“In our efforts to foster and promote contemporary Wabanaki art in both a regional and national context, these fellowships are designed to help Wabanaki artists promote their work within the greater artistic communities,” said Abbe Museum President and CEO, Cinnamon Catlin-Legutko.

Two fellowships will be awarded to artists attending the 2016 Southwestern Association for Indian Art’s Santa Fe Indian Market, and one shall be awarded to an artist attending one or more of the four annual Maine Indian Basketmakers Alliance shows:

  • Native American Festival and Basketmakers Market in Bar Harbor - July 9, 2016
  • Maine Native American Summer Market & Demonstration in New Gloucester – August 27, 2016
  • Common Ground Country Fair in Unity - September 23-25, 2016
  • Maine Indian Basketmakers Holiday Market in Orono - December 10, 2016

All applicants must provide proof of acceptance or eligibility to participate in the markets for the 2016 year. Each applicant is also expected to attend the Abbe’s Annual Meeting on June 3, 2016, to offer a demonstration and meet the donors (travel accommodations will be provided). In addition, they will provide a closing report by no later than December 15, 2016. Ten percent of the grant award will be held until this report is filed.

Visit www.abbemuseum.org/shop for eligibility details, including an application. Fellowship applications received before the deadline of April 15, 2016, at midnight will be added to the pool of applicants. The application will be entered into a lottery system where eligible applications will be pulled randomly from the pool. Award notification will be made on or before May 1, 2016.

About Dawnland, LLC
Dawnland, LLC operates the Jordan Pond House restaurant, including the traditional tea and popovers on the lawn overlooking Jordan Pond and the Bubbles, and retail services at Jordan Pond House, Cadillac Mountain, and Thunder Hole. Dawnland's parent company, Ortega National Parks, LLC, has more than 45 years of hospitality experience and over 16 years' experience operating concessions in the National Park Service, including at Bandelier National Monument, White Sands, Muir Woods, Carlsbad Caverns, Death Valley and Gateway National Recreation Area.

People of the First Light Photo Contest

The Abbe Museum is currently in the process of installing our new, permanent exhibit, People of the First Light, and we're in search of some stunning photos in and around Maine to use in specific sections of the exhibit. Do you have any photos of Maine's natural landscapes, animals, or plants? Or of Mount Katahdin, Moosehead Lake, Mount Kineo, Mount Desert Island, Penobscot Bay, Downeast coast, or Aroostook County? If so, please consider submitting them to our People of the First Light Photo Contest, which begins February 24, and ends March 7, 2016, at 11:59 PM Eastern Standard Time (EST).

The contest is open to anyone of any age, including Abbe Museum staff and trustees. Any photos chosen as finalists may be included in our permanent exhibit, People of the First Light, in the following ways: background images, murals, and in digital interactives.

Please only submit landscape photographs in the following two categories.

All photos must be void of people:

  1. Natural Maine: Animals, plants, and landscapes specifically pertaining to the ocean, lakes, and rivers; geological or climatological features. 
  2. Travel: Locales or activities in Maine that convey a sense of place specifically in/around Mount Katahdin, Moosehead Lake, Mount Kineo, Mount Desert Island, Penobscot Bay, the Downeast coast, and Aroostook County.

Cropped photos are eligible in both categories. We do not accept digitally or otherwise enhanced or altered photos. Minor adjustments, including spotting, dodging and burning, sharpening, contrast, and slight color adjustment or the digital equivalents, are acceptable.

Entrants whose photos depict other people’s work (such as sculptures, statues, and other copyrightable works) may need to obtain a release from the rights holder and provide it to the Abbe upon request. When photographing the work of others, it must be as an object in its environment and not a full-frame close-up of another person's creation.

Photos that violate or infringe upon another person's rights, including but not limited to copyright, are not eligible. Photos that contain sexually explicit, nude, obscene, violent or other objectionable or inappropriate content, as determined by the Abbe in its sole discretion, are ineligible for all categories of this contest.

How to enter: 
By submitting an entry, each contestant agrees to the rules of the contest. Please submit high-resolution photographs to Allison Shank at allison@abbemuseum.org. When submitting your photo, please indicate the following information:

  • Name
  • Credit line (how to credit the photo)
  • Information about the photograph: what the photo is of, location, and any other important details
  • Contact information
  • Please submit a separate email for each photograph.

We do not accept photographs submitted through the postal service. We do not accept more than one contestant per e-mail address. Photographs submitted to the contest must be at least 300dpi or greater so that they can be displayed on our website and in our core exhibit, People of the First Light, without being stretched or distorted.

High-quality scans of non-digital photographs are acceptable. Digital photographs should be taken at the highest resolution possible. Photographs must be in a .jpeg, .jpg, or .png format. Files submitted may not be larger than 10 MB. We will not accept original negatives, prints, or slides.

You retain your rights to your photograph; however, by entering the contest, you grant the Abbe Museum a royalty-free, world-wide, perpetual, non-exclusive license to publicly display, distribute, reproduce, and create derivative works of the entries, in whole or in part, in any media now existing or later developed, for any People of the First Light purpose, including, but not limited to, advertising and promotion of the exhibit. Any photograph reproduced will include a photographer credit and possibly a short bio. The Abbe will not be required to pay any additional consideration or seek any additional approval in connection with such uses.

Entry deadline:
The contest begins on February 24, 2016. All entries must be received by 11:59 pm Eastern Time on March 7, 2016.

Judging:
Photo entries will be judged based on creativity, quality, originality, responsiveness to the prompt, and overall impact. Judging will be conducted by the Director of Collections & Interpretation and the Manager of Creative Services. All final photographs selected will be used in some shape or form for the core exhibit, People of the First Light, which will open to the public on May 1, 2016. The finalists will be notified by March 11, 2016, and will appear on our website in spring 2016. The Abbe will notify the finalists via the contact information provided at the time of entry. Please do not contact us about the status of entries or judging.

Conditions of Entry:
All entrants hold the Abbe Museum and their respective regents, directors, trustees, officers, employees, fellows, interns, research associates, and volunteers (the “Indemnified Parties”) harmless from and against all claims of any nature arising in connection with entrant’s participation in the contest and acceptance or use of a prize. The Indemnified Parties are not liable for any costs, damages, injuries, or other claims incurred as a result of entrants’ participation in the contest or winner’s acceptance and usage of a prize.  The Indemnified Parties are not responsible for incomplete or misdirected entries, technical or network malfunctions or failures, or causes beyond their control. Entrants are solely responsible for their entries. Entrants may not submit materials that introduce any software viruses, worms or other programs designed to damage software, hardware or telecommunications equipment or are off-topic, partisan-political, contain advertising, nudity, personal attacks or expletives, or is otherwise abusive, threatening, unlawful, harassing, discriminatory, libelous, obscene, false, sexually explicit, or that infringes on the rights of any third party.

The contest is void where prohibited or restricted by law. The Abbe Museum reserves the right to cancel the contest or modify these rules at its discretion. In the event of a dispute regarding the winners, the Abbe Museum reserves the right to award or not award the prizes in its sole discretion. The Abbe Museum reserves the right to disqualify any entrant whose entry or conduct appears in any way to: inhibit the enjoyment of others; tamper with the competition; violate these rules or other applicable law or regulation; infringe on the rights of third parties, or act in an unsportsmanlike or disruptive manner. Decisions of the Abbe Museum are final and binding.

Sponsor an art supply kit for $25 and inspire a young artist

The Abbe Museum is gearing up for our 15th annual Waponahki Student Art show, in collaboration with Maine Indian Education. This art show and artist reception always bring together a wonderful variety of art created by approximately 35 Passamaquoddy and Penobscot students from early childhood education through high school. And exciting news for this year, for the first time ever the show will also include student artwork from the Micmac and Maliseet communities in northern Maine! All the artwork will be on display in the Abbe's main gallery for six months.

As an award for having their artwork selected for this fan-favorite show, each student receives an art supply kit consisting of a few items to feed their artistic passion - sketch pads, paints, paint brushes, charcoal, pencils, pencil holders - and a framed certificate.

The Abbe Museum has been able to produce these popular kits through the support of Maine Indian Education and generous donations from community members like you. With the inclusion of Micmac and Maliseet student artists this year, your added support will make this a rewarding experience for all the young artists involved.

For just $25, you can sponsor one of these art supply kits, ensuring that each student receives an award for their creativity.

Each sponsor will have a kit named in their honor, as well as receive an invitation to the Waponahki Student Art reception held in May, which is usually a private reception reserved for students and their friends and families.

Please join us. Spread the word. Make a donation. 100% of your gift will directly fund these student art supply kits.

Abbe Museum to Make the Case for Museums on Capitol Hill

Local Museum Leaders to Join Hundreds of Citizen-Lobbyists from Across the Country Feb. 22-23

Abbe President and CEO Cinnamon Catlin-Legutko. Photo by Rogier van Bakel.

Abbe Museum President and CEO, Cinnamon Catlin-Legutko, and Director of Collections and Interpretation, Julia Gray, will travel to Washington, D.C. February 22-23 to petition our government and make the case for museums.

Joined by other museum leaders from Maine, Catlin-Legutko and Gray will be visiting members of Congress and their staff to make the case for federal support of America’s museums. They will be among more than 200 museum professionals and supporters from across the country participating in the eighth annual Museums Advocacy Day, organized by the American Alliance of Museums.

Catlin-Legutko and Gray are rising to the occasion to educate elected officials and inspire support for museums, at a critical time—just as Congress begins its work for the year.

“Legislators have a lot of issues on their plates, and we can’t expect them to fully appreciate the museum field unless we bring the message to their doorstep,” said Catlin-Legutko. “We want to make sure Congress knows about the indispensable work museums do, and their role as educational and economic assets.”

As the first and only Smithsonian Affiliate in the state of Maine, the Abbe Museum is trying to do more than just be a cultural and historical institution. Education is central to its mission, and with the launch of a new strategic plan this past fall, the Abbe’s mission hasn’t changed, but its vision has a new focus.

“Decolonization, which means sharing authority for the documentation and interpretation of Native culture, has been the Museum’s touchstone and guiding principle for many years,” said Catlin-Legutko. “As the only museum in the world dedicated to telling the story of the Wabanaki, we are committed to an ongoing process of better understanding Wabanaki culture, history, and values and examining and changing our practices to assure they reflect those values.”

Decolonization is an emerging concept in museum practice in the United States, and the Abbe is deeply committed to work that positively impacts the tribal communities and the museum industry. The Abbe is already a resource and a model that the museum field turns to for ideas, solutions, and strategies for comprehensive museum decolonization and the board and staff will deepen and broaden that commitment.

Abbe Museum Director of Collections and Interpretation Julia Gray. 

This is emblematic of the work museums of all types and sizes are doing nationally. According to the American Alliance of Museums, there are more than 850 million museum visits annually in the U.S.– more than the attendance at all major league sporting events combined. Museums invest more than $2 billion in educational programs each year, serving Americans of all ages and income levels, in a variety of ways. There are more than 55 million visits by schoolchildren to U.S. museums each year, and museums are among the most trusted sources of information for Americans.

Another study found that for every $1 invested in museums and other cultural organizations, over $5 is returned in tax revenues through cultural tourism and related economic activity.

Catlin-Legutko and Gray will be sharing these and other facts about museums with the Maine Congressional delegation.

“Museums are essential to communities everywhere, as part of our educational infrastructure, as economic engines, and as community assets that improve the overall quality of life,” said American Alliance of Museums President and CEO Laura L. Lott. “We feel privileged that Cinnamon Catlin-Legutko and Julia Gray will be joining us in Washington for Museums Advocacy Day. The Abbe Museum is doing extraordinary work in Bar Harbor and the members of Congress from Maine need to hear from constituents about how the Museum serves its community.”

For more information on the Abbe Museum, visit www.abbemuseum.org. For more information on museums and their impact on communities nationally, visit www.aam-us.org.

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Abbe Museum Staff Rocked #MuseumSelfieDay

January 20th was ‪#‎MuseumSelfieDay‬, and the Abbe staff had way too much fun snapping photos all around the Museum. There happened to be a lot going on that day in and around our main gallery as we prepare for our new core exhibit, People of the First Light, which made our photo opps all the more interesting!

We think we won #MuseumSelfieDay, for sure. At least on Facebook. Hop on over and search for "#MuseumSelfieDay" to see for yourself.





Local Wabanaki Artist Receives National Grant

First Peoples Fund, a nonprofit that supports indigenous artists across the country, recently awarded Jason Brown, Penobscot, a jewelry artist and metalsmith from Bangor, a $5,000 business entrepreneurial grant and fellowship.    

“I’m honored that my artwork and commitment to my community have been recognized by First Peoples Fund. This grant and leadership training will help me expand my work and market, and allow me to continue to give back to my culture and community,” said Jason Brown.   

First Peoples Fund, based in Rapid City, South Dakota, focuses on community and economic development for tribal communities through support for Native artists and recently announced a roster of 27 2016 Native artist-fellows from across the country.

"We are proud to continue to grow our First Peoples Fund family of artist-entrepreneurs,” said Lori Pourier, president. “We believe that when Native artists have support and opportunities to build reliable and consistent incomes through their work, they thrive, their families thrive and whole communities thrive.”

First Peoples Fund is supported in part by The Ford Foundation, The Bush Foundation, Margaret A. Cargill Foundation, Andrew W. Mellon Foundation, Nathan Cummings Foundation, Northwest Area Foundation, HRK Foundation, The Howe Family Foundation, Surdna Foundation, U.S.D.A Rural Business Opportunity Grant, and The Johnson Scholarship Foundation.

Founded in 1995, First Peoples Fund's mission is to honor and support the Collective Spirit® of First Peoples artists and culture bearers. For further information, or to apply for support through one of their programs, please visit www.firstpeoplesfund.org or contact First Peoples Fund at P.O. Box 2977, Rapid City, SD 57709-2977.

What Does Decolonization Mean?

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As the only museum in the world dedicated to Wabanaki art, history, and culture, the Abbe works closely with the Wabanaki Nations, sharing authority for the documentation and interpretation of Native culture. We are committed to an ongoing process of better understanding Wabanaki culture, history, and values, and with this in mind, we have a new vision for the Abbe, one that is  groundbreaking, ambitious, and thrilling:

The Abbe Museum will reflect and realize the values of decolonization in all of its practices, working with the Wabanaki Nations to share their stories, history, and culture with a broader audience.

You might be wondering what decolonization means, orwhat it looks like in a museum setting. You’re not alone; it’s not a well-known word or practice, but it’s gaining speed and we’re proud to be a leading resource and model that the museum field turns to for ideas, solutions, and strategies for comprehensive museum decolonization.

Susan Miller, Seminole, describes decolonization as a process designed to shed and recover from the ill effects of colonization. Amy Lonetree, Ho-Chunk, states in her outstanding publication Decolonizing Museums, that “a decolonizing museum practice must involve assisting (tribal) communities in addressing the legacies of unresolved grief.”

Generally speaking, museums have historically controlled their audiences’ understanding of Native people,  sovereignty, and culture by leaving Native people and communities out of the planning and processes of museum practices. In the end, there was little to no consultation and collaboration with Native people on exhibits, archaeology, culture, history, fashion, food, music, placenames, burial remains, spirituality, education, and much, much more. This practice is certainly evolving, but the museum field has a long road to travel, righting these inequities of the past and planning for a collaborating present and future.

The principles of decolonization inform how the Abbe builds, understands, and exhibits its collections, and they affect who shapes and tells the stories in our galleries and programs. Decolonization is part of our governance and policy and practice, the training of all staff (including those who greet and educate visitors), and even determines what is sold in our Museum shops.

We’ve got big ideas for the future, and ourstrategic planincludes designing and installing a new core exhibit, producing the Abbe Museum Indian Market, expanding our dialogue-based programming, implementing a new and improved web presence, developing an archaeology advisory committee, and creating an online collections database. We plan to share updates, projects, and milestones on the website and blog each week, so be sure to visit often (and ask questions)!

This new plan and vision are the result of years of discussions, interviews, research, writing, and testing. The plan represents a critical transition in the history of the Abbe, and it’s a journey we’re excited to embark on!

Peacebuilding at the Abbe

The World Summit of Nobel Peace Laureates is the largest annual event in peacemaking. Needless to say, attending an event such as this is an incredibly daunting task—especially when you’ve been chosen to be the first Native youth delegate to attend.

Why was I chosen? Could they not find someone better? What if I speak too strongly, or am not strong enough? What if I misrepresent my people? What if?

These questions raced through my mind at what seemed like a thousand times per second as I checked in at the Bar Harbor International Airport. With my hand drum and my mother’s eagle feather tucked into a compartment on the wing of the tiny plane, I embarked on a journey that already felt like one of the most significant and terrifying experiences of my life. 

I was excited to be able to hear from the Nobel Laureate’s directly—last year, due to various political reasons, the Summit was postponed and I attended the Global Youth Peace Indaba in Capetown, South Africa, instead. I knew that the Summit would be very different from the Indaba, and the chance to be able to ask questions of today’s leading peacemakers made me feel nervous and intimidated. I arrived in Barcelona, Spain, prepared to consider ways in which peacebuilding can be incorporated into my work at the Abbe Museum and armed with the goal of creating the first Native Youth Delegation to the Summit in 2016. After visiting the city in high school and spending three months there as an undergraduate, it was as if I was returning to a home away from home.

Plaza Espanya, Barcelona

After one brief evening of getting to know the other delegates, the Summit began like a whirlwind. The opening ceremony and sessions took place at the Universitat de Barcelona and began with a welcome by the mayor of the city, Ada Colau. I found that even though I hadn’t heard the Catalán language since I left the city in 2008, I understood the majority of what was said! Not only did Mayor Colau express gratitude to the Laureates and Secretariat for choosing Barcelona, but she also set the tone for the rest of the Summit by publicly stating that Barcelona would welcome Syrian refugees. This led to larger discussions regarding refugees, with other Laureates pointing out the fact that this is not a new humanitarian crisis, and that the root causes of war must be eliminated in order to create peace. Laureate Mairead Maguire, from Northern Ireland, stated that eliminating the roots of war—specifically, ending militarism—would ultimately be up to young people. She believes that the youth is more ingenious than previous generations, and she apologized to the youth delegates for the world that would one day be handed to us.

Me and Nobel Laureate Mairead Maguire.

Laureate Mohammed Yunus, from Bangladesh, echoed Maguire’s message, stating that creating a new civilization is the mission of our generation. He stated that, with 20 million refugees around the globe, the world needs direction from the peace Laureates. His message was that the concentration of wealth and the unemployment of young people worldwide ultimately makes for an unsustainable society; he encouraged that we, as human beings, are not job seekers but job creators and that unemployment is the artificial creation of wrong-thinking. If we are to achieve the United Nation’s Sustainable Development Goals by the year 2030, then we, as young people, needed to take action. These goals are meant to serve as guiding steps to achieving sustainable world peace.

Each of the youth delegations nominated two participants to contribute to the creation of the 2015 Youth Declaration of Peace, which would be composed of declarations pertaining to each of the Sustainable Development Goals. Students and young activists from around the world discussed ways in which we, as young people, can work to achieve these goals, and working with my colleagues from LUISS (Libera Università Internazionale degli Studio Sociali Guido Carli), Oxford University, and PeaceJam, the following was written to accompany goal number ten, “Reducing Inequalities:”    

Financial inequality, ongoing colonization, refusal of reconciliation, institutionalized and non-institutionalized discrimination, and the disparate distribution and development of agricultural and medical resources are just a few of the challenges concerning the reduction of inequality; the role of youth is key to the implementation of the Sustainable Development Goals through raising awareness and constantly learning; an effective preliminary solution for eliminating these social constructs is to encourage the unconditional appreciation of all human life (The Youth Declaration of Peace).

Me and other Youth Delegates after the American Friends Service Committee Workshop.

I knew that the Youth Declaration was going to be read during the closing ceremony of the Summit, but I was still surprised when my colleagues informed me that, while I was in the restroom, they had unanimously decided that I would read our section. Aloud. On a stage. In front of all the participating Laureates. The next morning, I met with the other delegates assigned to read the declaration and prepared to read in front of the world’s leaders in peacebuilding. I was, to say the least, absolutely terrified, and have never been more thankful for my theater degree. With my drum keeping my hands steady and my mother’s feather giving me strength, I walked on stage with representatives from the other delegations.

Me at Font Magica, Barcelona

My experiences in Barcelona were far too many for me to effectively summarize in one blog post. I reconnected with old friends while making amazing new ones; returned to a city that I adore; was able to ask questions of incredible peace builders including Jody Williams (a driving force in the launching of an international campaign against landmines), Tawakkol Karman (she has been called the "Iron Woman" and "Mother of the Revolution"), and Frederik Willem de Klerk (the former State President of South Africa!), and excitedly told anyone that would listen how the Abbe tackles social justice issues in a museum setting. Now, I’m conducting research to create the FIRST EVER Native Youth Delegation to the World Summit of Nobel Peace Laureates for 2016, and couldn’t be more excited to be a part of this history!

Me and Nobel Laureate Jody Williams

There were an infinite amount of meaningful messages received at the Summit. If I were to boil all of these messages down into core lessons, they would be as follows: Mohammed Yunus taught me that youth is key to making change; Mairead Maguire reaffirmed that dialogue is essential to making peace; Frederik Willem de Klerk encouraged that reconciliation is essential to decolonization, and Jody Williams stressed that empathy must be converted into action. With these lessons being added to my peacebuilding toolkit, it is my hope to share these messages with other Indigenous youth and ultimately contribute to the cultivation of sustainable peace, and create a world that my grandchildren will be proud to be a part of.

Thank you to the American Friends Service Committee, an amazing organization that made my journey possible.

The Maine Thing Quarterly Features the Wabanaki and Acadia National Park

The latest edition of The Maine Thing Quarterly features a chapter on the Wabanaki, which includes interviews with the Abbe's Director of Collections & Interpretation, Julia Clark, and Museum Educator, George Neptune. ‪#‎NativeAmericanHeritageMonth‬

New Passamaquoddy Language App

The Passamaquoddy tribe, located at Indian Township and Pleasant Point in Washington County, Maine, has released a new app for iPhone and Android users, specifically designed to encourage the use and retention of the Passamaquoddy language—one of the few Native languages still spoken on the east coast.

Until the early 1980s, the Passamaquoddy language had been passed down entirely through oral traditions, when the tribe began developing a written system using 17 letters from the modern English alphabet. After the writing system was developed, it began to be implemented in tribal schools.

In 2008, the Passamaquoddy tribe published the first complete dictionary of the Passamaquoddy-Maliseet language, containing over 18,000 entries. At the same time, the Passamaquoddy-Maliseet Language Portal went live on the World Wide Web, providing people all over the world with access to the Passamaquoddy-Maliseet language.

The new smartphone app, available through the Apple App Store or Google Play, teaches users how to speak Passamaquoddy through written examples, audio recordings, videos, quizzes, and even games, allowing users to track their progress and improve their fluency. With categories such as office phrases, household items, commands, and traditional clothing, this app provides an easy way to practice speaking Passamaquoddy in a 21st century context.

Perhaps the most interesting aspect of this app is it's lack of availability—while anyone can download it, only members of the Passamaquoddy tribe have access to the PIN numbers required to activate the app. Cultural appropriation is a rampant problem not only in Maine, but throughout Indian Country, so the restrictions placed on the app is one way that the Passamaquoddy tribe has chosen to enforce their rights to self determination, sovereignty, and to prevent misappropriation of the Passamaquoddy-Maliseet language.

For anyone interested in learning more about the Passamaquoddy-Maliseet language, please visit www.pmportal.org. The Language Portal is free to use and open to the public, and includes audio and video links as well as pronunciation guides.

For more information on the Passamaquoddy Language App, please contact the Passamaquoddy Tribe at Indian Township or Pleasant Point , Maine.

Meet a Wabanaki Artist Fellow: Donna Brown

Donna Brown talked about her beaded moccasins with Abbe Trustee, Sandy Wilcox, at the Museum's annual meeting in August.

Donna Brown talked about her beaded moccasins with Abbe Trustee, Sandy Wilcox, at the Museum's annual meeting in August.

Donna Brown, Penobscot, handcrafts jewelry and traditional beadwork made from various metals, semi-precious gemstones, and glass beads. She uses stringing and metal shaping techniques to create various types of earrings, necklaces, and bracelets, and also uses intricate beadwork techniques to create jewelry and regalia accessories by beading with cloth, leather, and a loom. She has beaded on items such as moccasins, shoes, belts, barrettes, shawls, earrings, and hair ties.

"My work is motivated by my desire to create colorful jewelry and regalia that will be passed on to future generations," Donna said in her fellowship application's artist statement. "I am inspired by the colors and elements of nature, as well as my Wabanaki culture, and I am passionate about creating miniature works of art that begin with a sketch or outline of a pattern and seeing it come to life through the work of my hands. It gives me great joy to see others enjoy and wear my creations, whether for everyday wear or worn specially for traditional gatherings."

Donna is working hard to build her business and cultivate her brand to a level of success that will allow her to broaden her reach into the jewelry and fashion industry.

"I feel once I have gained access to this industry, I can share the beauty and significance of our culture through my designs and creations. It is also my goal to teach others my skills to serve as a mentor and help keep our traditions alive."

In July, Donna attended the Native American Festival as an Abbe Museum Fellow. She and her husband, Jason, are the creative force behind Decontie & Brown  and have been creating jewelry for the past 20 years.

"This fellowship will also support me by allowing me access to some of the tools and supplies that are needed to sharpen and polish my brand. By presenting my jewelry in a professional and attractive way, I add value to my creations, my brand, and to Native American jewelry and art. Wabanaki artists who attend the Maine Indian Basketmakers Alliance shows, are in the unique position of presenting their creations to collectors from around the world. My goal is to utilize this opportunity by attending these shows and presenting my creations in the same manner as top jewelry designers, utilizing cohesive display presentation and product packaging. 

The Abbe Museum Wabanaki Artist Fellowships were made possible through support from Dawnland, LLC, the concessioner in Acadia National Park.

New Exhibit by Native Artist Dozay Coming to the Abbe Museum

Original paintings illustrate the various legends of Kluskap and his adventures. Image courtesy Dozay.

The Abbe Museum is pleased to announce the opening of Kluskap of the Wabanaki, an exhibit by Maliseet artist Dozay. Consisting of original paintings, the exhibit illustrates the various legends of Kluskap and his adventures across the Wabanaki homeland, using landmarks that tell his story. It will be on display from November 5 through December 19, 2015, with a reception and meet the artist event on Saturday, November 28th from 1 - 3 pm at the Museum.

“I chose this subject because, in every eastern state and province, there are landmarks that the Wabanaki people have always known to be important,” said Dozay. “These landmarks tell of Kluskap and his many teachings. I learned, after showing this exhibit previously, that it was totally new to many people, even among the Wabanaki people.”

According to Wabanaki oral histories, Kluskap–or Koluskap, Gluskap, Glooskap, and Gluskabe–made the world habitable for human beings and taught people to live wisely. Kluskap stories have been told and retold over many generations, and these legends have always been known to teach lessons of values, and the characteristics of the animals and Mother Earth. Kluskap was a positive force with all Wabanaki tribes, and people from all the communities have written and illustrated many versions of the Kluskap legends.

“I have discovered that most legends are simply told and not illustrated,” Dozay stated. “I feel and have experienced that our Wabanaki tribes and cultural significance are known and considered significant among our own people, but lacking in mainstream Aboriginal teachings. Wabanaki ways were not taught in school or even recognized as a distinct Aboriginal culture, and my objective is to make our own people aware of our hero Kluskap by illustrating his adventures in combination with the importance of our Mother Earth.”

Kluskap and Grandmother in Stone Canoe. Image courtesy Dozay.

Dozay, one of a very few professional Native artists in Atlantic Canada, has spent much of her life cultivating her passion for art. Growing up in Western New Brunswick on the Tobique First Nation, she left the banks of the Tobique at 18 to pursue a formal education at Nova Scotia College of Art and Design. Although she had always displayed an interest in art, her intention had initially been to pursue a career in education. It wasn’t until her third year of college that Dozay decided to switch to the fine arts program and pursue a full-time career as an artist. This is her first first show in the U.S.

The Kluskap of the Wabanaki project is unique in that it will eventually include all Wabanaki Kluskap legends of the east. The exhibit will be on display in the Community Gallery of the Abbe Museum’s downtown Bar Harbor location until December 19. Admission is $8 per adult, $7 for senior citizens, $4 for children (11 – 17), and children 10 and under are free. Admission is free to Native Americans and Abbe members.