Gina Brooks

TRIBAL AFFILIATION: Maliseet

MEDIUM: Diverse Arts

ARTIST BIOGRAPHY
The artist, Gina Brooks, Maliseet, works in many art forms, including pen and ink, acrylic paint, ash baskets, quillwork, moosehair embroidery, and countless more. Considering herself an artist that is informed by Wabanaki culture and tradition, Gina uses traditional knowledge and designs to create intricate, one of a kind pieces that often reflect Wabanaki oral histories. Join Gina at various times during the week to learn about her different mediums, artistic process, and cultural influence as a professional artist.

 

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Geo Soctomah Neptune

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TRIBAL AFFILIATION: Passamaquoddy

MEDIUM: Basketry - Ash, Clothing, Diverse-Arts

BIOGRAPHY
Geo Neptune is a member of the Passamaquoddy Tribe from Indian Township, Maine, and is a Master Basketmaker, a Drag Queen, an Activist and an Educator. As a person who identifies as a two-spirit, an indigenous cultural gender role that is a sacred blend of both male and female, Geo uses they/them gender-neutral pronouns.

At four years old, Geo had already been asking their grandmother Molly Neptune Parker to teach them how to weave baskets; after being told to wait until they were older, Geo found another elder that would teach them, and presented their grandmother with their first completed basket. Later that year, after turning five years old, Geo wove their first basket with their grandmother, beginning a lifelong apprenticeship.

After graduating from eighth grade at the Indian Township School, Geo attended Gould Academy in Bethel, Maine, where they were able to explore more artistic outlets before becoming a member of the Dartmouth College Class of 2010. Proficient in Spanish and a performing arts major, Geo studied abroad in both Barcelona and London during their time at Dartmouth.

When Geo graduated from Dartmouth College and returned to the Indian Township reservation, they began to focus heavily on their weaving, and developing their own individual artistic style. Experimenting with their family's signature woven flowers mixed with natural elements of twigs and branches, Geo began forming what would eventually be known as their signature sculptural style of whimsical, elegant, traditionally-informed basketmaking. During their time at home, Geo was also the Cultural Activities Coordinator and Drama Instructor for the Indian Township After School and Summer Programs, and eventually went on to serve as the Unit Director for the Passamaquoddy Boys and Girls Club. In 2012, Geo attended the Santa Fe Indian Market for the first time, accepted the position of Museum Educator at the Abbe Museum, and watched their grandmother receive the National Endowment for the Arts National Heritage Fellowship before moving to Bar Harbor.

Living in Bar Harbor, Geo maintained a life as a basketmaker, actor, drag queen, and activist in addition to serving as the Museum Educator. Participating in Idle No More protests here in Maine, Geo was invited as the first Indigenous youth delegate to the World Summit of Nobel Peace Laureates in Capetown, South Africa in 2014. After attending the Summit again in 2015, returning to Barcelona, Geo was then invited to attend a PeaceJam conference in Winchester, England, where they met Rigoberta Menchu Tum, the first and only Indigenous woman to win the Nobel Peace Prize. In 2016, Geo was the first drag queen on the cover of Native Peoples Magazine, with their story featured in the magazine's first official LGBTQ Pride issue. In late 2016, Geo decided to pursue their art and activism full time, and they now live back in their community at Indian Township. At home, they are able to spend more time with their apprentice and youngest sister Emma--who, at thirteen years old, has won numerous more awards for her basketry than Geo has--and with their grandmother, keeping the family and cultural tradition of basketry alive. Geo hopes to be able to work to embrace the sacred role of the two-spirit, truly becoming a keeper of tradition and a teacher and role model for Passamaquoddy and other Wabanaki youth. Most importantly, Geo hopes to inspire other two-spirits from across turtle island to accept their truth and embrace their sacred responsibility, and travels across the state and country educating learners of all ages about Wabanaki history and culture, the art of basketmaking, and what it means to them to be a Two-Spirit.

 

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J.J. Otero

TRIBAL AFFILIATION: Navajo

MEDIUM: Diverse Arts, Jewelry

BIOGRAPHY
JJ worked in IT for 25 years before moving into the art world full-time. Outside of a short stint painting, with some success, in 2010, JJ focused diligently on his musical craft, a true passion. JJ’s life was shaken up, and in 2016, he found himself moving back to the Navajo reservation, searching for a means to make a living. During this time of resetting, chores around the family home required JJ to be resourceful with materials such as wood, metal, and tools. His father, Chester, worked on a rickety table, barely holding up his chainsaws and chain sharpening equipment. JJ set out to find old 2x4’s and some screws and cobbled together a work bench and seat that his dad still uses today. More than a year and various woodworking projects later, his sister Cleo asked if he could make a cradleboard for her coming grandchild. That first cradleboard was the beginning of JJ’s career in the arts. JJ’s philosophy guides all things in his life: This moment is perfect and there’s nothing lacking. With this deep abiding fire, JJ continues to admire the texture and beauty of wood grain and continues to be amazed by the smell of freshly sawn wood. In addition, JJ’s unique stamping and texturing styles make his silverwork stand out, a newer passion in his ever-growing career!

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Lakotah Sanborn

TRIBAL AFFILIATION: Penobscot

MEDIUM: Diverse Arts

ARTIST STATEMENT
I utilize a variety of mediums in my work to challenge the colonial gaze that denies Wabanaki modernity. Through archival documents, photo, video, and audio I showcase Wabanaki history, contextualize Wabanaki present, and inspire our futurisms. My work exposes the byproducts of capitalist systems through themes of alienation and the surreal, foregrounded by the continued perseverance, hope, and adaptation of the Wabanaki people.

BIOGRAPHY
Lokotah Sanborn is a Penobscot interdisciplinary artist. His art, which spans film, music, graphic design, and photography, celebrates the perseverance and power of the Wabanaki people amid ongoing resistance. Lokotah's art is informed by years of community organizing for Wabanaki land return, cultural continuity, and Tribal sovereignty.

Lokotah works for Sunlight Media Collective, an organization of indigenous and non-indigenous media makers documenting stories at the intersection of Wabanaki rights and environmental justice.

 

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Dawn Spears

TRIBAL AFFILIATION: Narragansett/Choctaw

MEDIUM: Clothing, Diverse Arts, Painting/Illustration

ARTIST STATEMENT
My work reflects all facets of life. My mother Diosa Summers, Choctaw was an artist and educator who inspired and encouraged creativity in me and my siblings at an early age. I grew up being exposed to many forms of artmaking, assisting her was my introduction to art. It was inevitable that I would end up with similar interests.  I am a mother of three, a wife of thirty-six years to Cassius and a grandmother of seven, I find as an artist, that being able to create original art that has elements of my culture and tradition, is my best form of expression, I use symbolism and the rich colors of our natural world as inspiration for my abstract paintings and designs.

 

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Jannette Vanderhoop

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TRIBAL AFFILIATION: Aquinnah Wampanoag

MEDIUM: Diverse Arts, Jewelry

BIOGRAPHY
Jannette Vanderhoop is from the Aquinnah Wampanoag Tribe (Gay Head) on Martha’s Vineyard. Her modus operandi is to “educate people to respect nature through art” and so, she produces her work as a form of environmental expression. By utilizing random parts of the natural world, including found and reconstituted materials, there is no lack of inspiration or originality. She has mastered concepts of color, shape and design experimenting with materials and techniques.

Using locally sourced wampum shells from the rugged coastline of Martha’s Vineyard, Jannette’s organic, colorful jewelry is appreciated for both its eccentricity and it’s simplicity. Meant to inspire both the wearer and the viewer and connect them to the essence of the sea. Each colorful piece she makes is a wearable art object that nods to her culture and the history of her tribe while also celebrating her connection to the land.

 

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